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8 January 1836 – 25 June 1912. Most renowned painters.

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BERRUGUETE, Pedro
Altarpiece of the Purification

ID: 52602

BERRUGUETE, Pedro Altarpiece of the Purification
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BERRUGUETE, Pedro Altarpiece of the Purification


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BERRUGUETE, Pedro

Spanish Early Renaissance Painter, ca.1450-1504 Pedro Berruguete (c. 1450 ?C 1504) was a Spanish painter, his art is regarded as a transitional style between gothic and renaissance. Born in Paredes de Nava, Spain, he went to Italy in 1480 and worked in Federigo da Montefeltro's court in Urbino. He came back Spain 1482 and painted in several cities as Sevilla, Toledo and Ávila. He was father of an important sculptor, Alonso Berruguete, considered the most important sculptor in Renaissance Spain.  Related Paintings of BERRUGUETE, Pedro :. | Self-portrait fdh | David | Scenes from the Life of Saint Dominic:The Burning of the Books | Self-Portrait | the death of st peter martyr |
Related Artists:
francois sablel
Jean ISABEL and Marie Charlotte BACON. She was married to Jean Baptiste BLANCHETTE on Feb 27 1775 in St. Pierre, Quebec
Baldung
b.c. 1484, Schwäbisch Gm??nd, W??rttemberg [Germany] d.1545, Imperial Free City of Strasbourg [now Strasbourg, Fr.] Hans Baldung Gallery
Johan Barthold Jongkind
Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.






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